The UCLA Classics Department is pleased to announce that the Joan Palevsky Lecture in Classics for 2022 will be delivered by Jennifer Stager, Assistant Professor of History of Art at Johns Hopkins University. Taking its title from the god Asklepios’s violent birth (Pindar Pythian 3) and the priorities that this myth set for ancient Greek...

co-sponsored with the Center for Religion and the Department of History  

This lecture discusses La Odilea by Francisco Chofre, a Cuban prose adaptation of the Odyssey, which refigures both Homer’s heroes as guajiros (peasants) and the ancient epic itself through the adoption of an oral Cuban dialect. My examination first highlights Chofre’s meticulous linguistic transformations, which I consider a model of “philological” reception, as well as the ambiguous and complex relationship...

Join UCLA English for the Barbara L. Packer Lectures featuring Yopie Prins, the Irene Butter Collegiate Professor of English and Comparative Literature at the University of Michigan. In If Not, Winter: Fragments of Sappho (2002), Anne Carson famously uses brackets in her translations from Greek to English, to mark what is missing from the Sapphic...

Co-sponsored with the Center for Religion and the Department of History. This event will be hybrid. To receive an email with the Zoom link to attend remotely, please RSVP at https://religion.ucla.edu/event/antisemitism-in-the-pagan-world/  

Join UCLA English for the Barbara L. Packer Lectures featuring Yopie Prins, the Irene Butter Collegiate Professor of English and Comparative Literature at the University of Michigan. In her talk, Professor Prins asks what is the past and future of classical models for English versification? Nineteenth-century ideas about the revival of classical meters in English...

Virgil’s particular attention to human suffering has long been identified as a defining aspect of his poetry, but critics have had widely different views on the politics of Virgilian pathos. Is empathy for the defeated in the Aeneid a way of undermining the triumphalist claims of Augustus (e.g. Putnam 1965)? Or does the poem’s famous...